Friday, 26 June 2015

THE GALLOGLASS by Durer-Do you belong to a Warrior Clan? OR BETTER?


IT’S TAKEN A WHILE TO CRACK THIS MYSTERIOUS DRAWING, MUCH RESEARCH WAS REQUIRED TO LEARN ABOUT GALLOGLASS AND WHO WAS THE KING WHO OWNED IRELAND IN 1521?

THE SEARCH HAS BEEN SO FASCINATING AND SO DIFFICULT, IT’S TIME FOR ALL YOU SCOTS, IRISH, ENGLISH, IBERIANS, GERMANS, BASICALLY ALL OF EUROPEANS INCLUDING EASTERN EUROPEANS, AND THEIR DESCENDANTS,  TO LEARN HOW IMPORTANT THIS SKETCH OF GALLOWGLASS, KERNS, AND SOLDIERS BECOMES IN REVEALING THE TRUTH OF WHO YOU ARE!

SO WE START AT THE BEGINNING, FOR THIS IS SO CONVOLUTED, YOU’LL BE LOST  UNLESS WE START AT THE BEGINNING, AND IT’S  SUCH FUN!

For nearly 100 years after the arrival of the Normans in 1169AD the old world of Gaelic Ireland was in retreat. The Normans brought to Ireland superior weapons, the long sword, lance, Welsh crossbows, and iron helmets, and chain mail protecting much of the body. This was in contrast to the native Irish with their axes and short swords and dressed in linen tunics. To halt the Norman onslaught the remaining independent Irish Chieftains needed a new weapon and they found it in the mercenary warriors from the Western Isles of Scotland. These Gallowglass or ‘foreign Gaels’ had served as elite warriors in the Western Isles of Scotland for over 100 years prior to their arrival in Ireland.

The first 160 Gallowglass, who appear to have been from Clan MacDoughall arrived in Ireland in 1259AD as part of Dougall MacSorley’s (King of the Hebrides) daughters dowry in her marriage to Aedh O’Connor, the then King of Connaught. The Gallowglass fought like the Normans protected in mail coats and iron helmets,


But they were notable with their characteristic two handed axes and Claymores (a large 2 handed sword). This trickle of warriors became a flood as many mercenary Gallowglass Clans either sought new lords after backing the losing side in the Scottish wars of Independence or just somewhere to ply their trade, and given the battle against the encroaching Normans or the constant inter-Clan warfare there was always a demand for the services  in Ireland.

Many Clans like the McCabe’s and MacSweeney’s transplanted completely to Ireland.  The MacSweeney’s vacated their homeland around Castle Swin on the Argyll peninsula in Scotland for life in the service of the O’Donnell’s in Donegal. Others remained seasonal travellers appearing in the spring and summer offering their services to the highest bidder (everybody appears to have decided that making war in autumn and winter in Ireland was a bad idea). While others like the MacDonald’s/MacDonnell’s’ and MacNeill’s established territories in County Antrim in the northeast of Ireland to complement their lands in Scotland (the MacNeill’s appear to have been the new occupants of Swin Castle vacated by the MacSweeney’s). County Antrim provided the shortest crossing point between Scotland and Ireland and the presence of Scottish Clans there may have been an attempt to monopolise this lucrative trade.

What is certain is that the tide had turned, the Norman Conquest had lost momentum, and the Irish Chiefs with the aide of their new weapon rolled back the Normans.

14th and 15th Centuries a stalemate developed, with Ireland divided into spheres of influence as reflected in the medieval ethnicity map of Ireland. There was a mini Gaelic revival and although not all the Normans adopted Gaelic ways and customs, the habit of hiring Gallowglass was adopted by all, including the English authorities who’s rule was restricted to the area known as ‘The Pale.’ Some of the Gallowglass Clans had by this time become independent establishing their own territories.

But who were these warriors who effectively changed the course of Irish history, and how can you tell if you are descended from them?

Clues as to the origins of the Gallowglass can be found in the surname of the first to arrive; the MacDoughall’s, who’s surname translates as ‘son of the dark foreigner.’ This indicates that they were descendants of Vikings (foreigners) who settled in the western highlands and Islands of Scotland, who had intermarried with the Gaels they found there and adopted their Gaelic language and customs, but had still retained the fearlessness and fighting prowess of their Viking forebears. So if you know what to look for you can reveal whether you are directly descended from these fearless Norse-Gaels. I
ONLY INCLUDED THIS INFORMATION BECAUSE IT MAY STILL BE TRUE, HOWEVER EXTREMELY RECENT DNA STUDIES OF WHO EXACTLY POPULATED BRITAIN HAVE SHOW THAT THEIR IS ALMOST NO VIKING DNA INFLUENCE IN BRITAIN.  Apparently the Vikings struck, and looted and moved on. We don’t know yet whether the Viking intermingling with the Galloglass clans is valid.


Firstly one can examine surnames, history records the most notable Gallowglass were from the Clans of McCabe, MacDonald/McDonnell, MacDougall/McDowell, MacRory, MacSheehy, MacSweeney, and McCoy. But this was a trade that continued for over 400 years and many Scots Clans got in on the act, so how does one identify other Clans and surnames associated with Gallowglass? Luckily these Scots-Gallowglass can be readily distinguished from the later Scottish settlers that flooded Ireland as part of the Plantation of Ulster in the 16th and 17th Century. This is simply because these later arrivals were Protestant and spoke English, in contrast to the Catholic faith and Gaelic language of the native Gaels and earlier Gallowglass. Religious and language differences meant that these two people rarely mixed which was reflected 300 years later in the 1911 census that showed that Planter surnames could readily be identified based on their 88% Protestant religious affiliation. So if you have a Scottish surname and recent Irish ancestry, and that surname demonstrated a protestant religious affiliation significantly less than 88% in 1911, then your ancestors may well have been Gallowglass.

WHAT’S IN YOUR DNA? WAIT FOR THE SHOCK!

But this surname and historical approach is flawed, leaving one with statistical probabilities. For conclusive proof one must explore commercial ancestral DNA testing. The ancestral DNA test that can establish your Gallowglass-warrior credentials is the Y-DNA37 test. This test looks at the Y chromosome which is passed from father to son through the generations. What you get with the results of that test are the names of people with whom you share a common male ancestor. Typically one will match many individuals with many different surnames, but how can one share a common ancestor with people with different surnames? The answer is quite simple; when one’s direct male ancestor first took his surname approximately 1000 years ago, his neighbours some of whom he shared ancestry with, crucially picked other surnames.

AND HERE’S SOMETHING TO BLOW YOUR MIND BEYOND BELIEF.
HERE’S WHAT HAS ALREADY BEEN ESTABLISHED AS DEFINITE JEWISH HAPLOID GROUPS, WHICH INCLUDES Y-Dna37 testing. YOU’RE ALL JEWISH IF YOU ARE GALLOGLASS and apparently from the lineage of KING DAVID OR FROM THE PRIESTLY CALSS WHICH WOULD HAVE BEEN DESCENDED FROM AARON, MOSES BROTHER!

Y-DNA67 HVR2 R1b1a2 J 0(PRIESTLY CLASS ISRAEL)
Phillip W Kearse
Y-DNA37 HVR2 FF R1b1a2 J 1(PRIESTLY CLASS ISRAEL)
John Caro
Y-DNA37 R1b1a2 0(LINEAGE OF KING DAVID)
Mr. Hopkins Davis Stanley
Y-DNA67 HVR1 R1b1a2a1a1b4 H 1(KINGS OF MANN AND ISLES)
James Patrick Gunn
Y-DNA37 HVR1 R1b1a2 H 1
Alon Barak
Y-DNA37 HVR2 R1b1a2 HV 0 *************RABBI IN ISRAEL NOW)

HOW DID THAT HAPPEN?

MORE TO COME!

BUY THE BOOK


 For more details please visit here

Master Forger Wolfgang Beltracchi Saw His Painting in Albertina Museum

The notorious German art forger, Wolfgang Beltracchi has claimed on a German talk show that he “recently” saw one of his paintings hanging in Vienna’s Albertina Museum. Beltracchi made the claim on the ZDF show Markus Lanz.

He was recently released on probation after serving three years of a six-year prison sentence for creating 14 fake artworks purported to have been painted by the likes of Max Ernst and Heinrich Campendonk.

Last year Beltracchi made a similar claim on the Austrian TV show Talk im Hangar-7, suggesting that one of his fakes may be among the Albertina’s collection, without divulging which work it was. At the time it was speculated that the fake may have been Max Pechstein’s paintingLying Female Act with Cat (1909), from the collection of expressionist expert Hermann Gerlinger. The painting was part of a 2007 exhibition at the museum.

Salzburger Nachrichten reported that in response to Beltracchi’s latest claim, the director of the Albertina Museum, Klaus Albrecht Schröder, told the Austrian radio station ORF-Radio Ö3 that he intends to get in touch with the forger to ascertain whether he was talking about the painting featured in the 2007 exhibition or a different artwork.

“I will make contact and ask if it is the painting from the Gerlinger collection or a different artwork,” he said. “Of course we want to know. I said at the beginning that the prosecution made a grave mistake not to use the case to discover all of the fakes.”

https://news.artnet.com/in-brief/master-forger-wolfgang-beltracchi-claims-he-saw-his-painting-in-albertina-museum-26

For more details please visit at http://www.albrechtdurerblog.com

Thursday, 25 June 2015

BEYOND HILARIOUS! PORN HAY BALES IN AUSTRALIA!


WELL FOLKS APPARENTLY AS SPRING IS SPRINGING, THE HORMONES ARE RUNNING AND THERE’S SO MUCH RIDICULOUS STORIES ABOUT PORN ART, THE WHOLE WEEK MIGHT GET DEDICATED TO IT.   IT’S CRACKING ME UP!  THIS IS FROM ARTNEWS, DO THEY HAVE ANYTHING BETTER TO DO BUT TRY TO SELL YOU ART ONLINE, MAKE YOU FEEL LIKE A BOOBY NOT GOING TO THEIR ART SHOWS? AND NOT KEEPING UP WITH DEEP INVESTIGATIVE REPORTING SUCH AS THIS?

AND FOR YOUR PLEASURE:

An Australian farmer is defying police demands that he remove a supposedly pornographic hay bale sculpture.

Bruce Cook, who lives near Kerang, Victoria, was instructed to nix the sculpture, “depicting a bull serving a cow,” which has been deemed offensive and pornographic by some locals and officials, according to.

Cook tells the paper he has received “massive public support,” adding that he erected the sculpture on Good Friday as “a bit of fun.”

After a passerby reported the sculpture to the authorities, Cook received a call from the police telling him he had to take it down or face charges of publishing pornographic images. “I couldn’t believe it,” Cook said. “How could anyone be offended by something that happens out in the paddocks for real every day of the week? It’s just nature.”

Cook said he “told the copper to piss off.”

The Weekly Times is now polling readers, asking, “Is the hay bale structure offensive?” The paper says according to its poll, 96 percent agree the sculpture is not offensive.

Dozens have stopped to admire the sculpture, and Cook says he plans to illuminate it at night. He said that while most people have been supportive, he has received a threat or two from people who say they’re going to burn it or knock it over.

Cook says he believes there is a petition circulating to support the work, as well as a Facebook page: “We say the hay stays.”

Added Cook: “We live in a farming community and of course animal breeding is all around us but this is really just a smutty joke.”

ART AT IT’S BEST!

For more details please visit here

HILARIOUS! JAPAN ARRESTING FEMALE ARTIST who dares to claim her VAGINA!


WHAT AM I MISSING HERE? AREN’T THE JAPANESE FAMOUS FOR THEIR EROTIC ART?  OH, THAT’S THE PROBLEM, IT HAS TO BE A DOMINANT MALE WITH A SUBSERVIENT FEMALE, AS SUPREME COURT JUSTICE JUST DEFINED MARRIAGE IN THE USA HISTORICALLY. OMG, A JAPANESE WOMAN CLAIMS HER OWN VAGINA TO DO WITH WHAT SHE WANTS!

IT’S ALL OVER A KAYAK!  WOW, A FIT WOMAN ARTIST! READ ON FOR THE ABSURDITY! ANOTHER OF ARTNEWS DEEP INVESTIGATIVE REPORTING.

Japanese artist Megumi Igarashi, who operates under the artistic moniker Rokude Nashiko (translation: “reprobate child”), was indicted last week on charges that she distributed “obscene” data in the form of a computer code that would allow other people to use a 3D printer to make their own copy of a kayak based on her vagina.

Igarashi has been has been arrested twice this year for the project—the first time in July for attempting to raise funds online to construct the kayak, and the second time in December for allegedly distributing the code to numerous people. In the aftermath of her first arrest, she was freed from prison after an online petition that drew more than 21,000 signatures.

JAPANESE LAW FORBIDS DEPICTION OF GENITALIA?  THEN WHAT ARE THEY GOING TO DO WITH THEIR PAST ART “TREASURES?”

Japanese obscenity laws forbid the depiction of genitalia, which instead must appear censored or pixelated in film and photography. Despite this, Japan has a booming pornography industry, a strange dichotomy that Igarashi’s artwork and subsequent legal troubles have highlighted on the world stage.

HAVE WE ARRIVED AT THE ULTIMATE ABSURDITY,  OBSCENE COMPUTER DATA?

The artist will plead not guilty to the charges, but if convicted could face up to two years behind bars and a fine equivalent to $20,755.

“I cannot agree with the police’s decision to label the data as obscene,” Igarashi said in a July press conference. “To me, my vagina is like my arms and legs. It’s nothing obscene.”

For more details please visit at http://www.albrechtdurerblog.com

Wednesday, 24 June 2015

PRICELESS Roman MOSIACS in Turkey botched on restoration


Restoration work on a series of Roman mosaics in Turkey dating from the 2nd century to the 6th century has gone horribly wrong thanks to a botched repair job at the Hatay Archaeological Museum in the southern city of Antakya.

. “Valuable pieces from the Roman period have been ruined, they have become caricatures of their former selves.”

Before and after photos taken by Daskapan show the extent of the damage. Some of the mosaic stones have been replaced with stones of different shapes and colors. Consequently, the facial expressions now appear awry and skewed.

At least ten artworks in the country’s second largest mosaic museum were affected.

Following the emergence of the scandal the Turkish Culture Ministry suspended all restoration work at the museum, and Mustafa Bozdemir, deputy director of the Culture Ministry’s Heritage and Museums department, announced an investigation into the damage.

Meanwhile, Daskapan expressed concern over the extent of the scandal “The new museum currently exhibits around 65 percent of its inventory,” he said, fearing that valuable panels in the museum’s storage may also have been affected.

https://news.artnet.com/in-brief/botched-repair-roman-mosaics-turkey-294514?utm_campaign=artnetnews&utm_source=050615daily&utm_medium=
For more details please visit at http://www.albrechtdurerblog.com

HIARIOUS! GEYSER ART in Iceland becomes a world wide problem


The Danish-Chilean artist Marco Evaristti was arrested in Iceland after local landowners accused him of vandalism for dyeing the Strokkur geyser pink.

WOW, THERE’S A LOT OF VANDALISM, POURING RED FOOD COLORING INTO  212+ DEGREE HOT WATER, NOT EASY, I’VE BEEN THERE
.

The artist poured red fruit-based food coloring into the famous hot springs located 70 miles northeast of Reykjavik, causing the geyser to erupt in plumes of bright pink water and steam.

BOTH OF THESE ARGUMENTS ARE ABSURD

Speaking on behalf of the local landowners, Garðar Eiríks­son said “This is not art. I am deeply sorry that a visitor to our country comes up with such an idea. I have very few words to describe my disgust at these actions.”

HE PAINTS DIRECTLY ON NATURE?  HOW ARROGANT CAN HE BE?  DO YOU GET WHY MOTHER EARTH IS SO PISSED OFF?  OOPS I THINK WE ARE GETTING BACK TO TEH JAPANESES’ PROBLEM WITH RUNNING A HEALTHY PORN MEGALOPOLIS BUT BEING HORRIFED ABOUT A JAPANESE WOMAN CLAIMING SHE HAS CONTROL OVER HER VAGINA, IN THE NAME OF ART.

“Nature belongs to no one,” Evaristti insisted. “I do what I do because I’m a painter, a landscape painter who doesn’t use a canvas, I paint directly on nature.”

“I believe in freedom of speech and I believe nature doesn’t belong to certain people, but to everyone,” he argued, adding, “I love mother nature. If I love a woman I give her a diamond ring. That’s why I decorate nature, because I love it.

Unfortunately for Evaristti, Icelandic authorities did not agree with his point of view. The stunt landed the Copenhagen-based artist behind bars for two weeks.

The extant of this guy’s artistic talents is running around the world pouring food coloring into natural waters, which, btw could be carcinogenic?  Did ANYone ask whether the red CHEMICALS were on the bad list or not? I can’t wait for the moron who  who’s going to leave a comment, HOW DARE I HAVE AN OPINION ?  because, truthfully, I think Christos and all this ilk of supposed artists are buffoons, getting your tax $ from Government grants, Coloring the water as ART.  IF YOU DON’T LIKE IT, DON’T BOTHER TO COMMENT, THIS WHOLE THING IS BEYOND STUPID.

This is the fifth time the artist has dyed natural waters, having performed a similar installation at a frozen waterfall in Norway last year.

Iceland cut its arts funding in half last year, causing widespread condemnation from the small country’s artistic community.

https://news.artnet.com/in-brief/marco-evaristti-pink-geyser-iceland-292

For more details please visit here

Tuesday, 23 June 2015

NOT HILARIOUS! VERY BAD restorations at Assissi




Fourteenth-century frescoes in the Basilica of St. Francis of Assisi have been damaged by over-ambitious restorations. Experts claim the frescoes have been significantly compromised; segments that have fallen victim to over-enthusiastic work now stand in stark contrast to the untouched areas.

Unique in their range and quality, the murals were created by numerous late medieval painters from the Roman and Tuscan schools, and include Giotto frescoes as well as works by Simone Martini, Pietro Lorenzetti, and possibly Pietro Cavallini. The frescoes are considered instrumental for understanding developments in Italian art history.

The Directorate General for Fine Arts of the Ministry for Cultural Heritage, led by architect Francesco Scoppola, was alarmed that changes have been made at the Basilica of Saint Francis in Assisi, and ordered an inspection.

Bruno Zanardi, a restorer and lecturer at the University of Urbino, Italy, said he noticed considerable changes in the chapel: “I saw the site in 2011, and got the impression it was a good job, executed by someone I thought was a capable and expert restorer. But when I went back to the basilica a couple of months ago with my students, I had a very different impression,” Zanardi said.

Frescoes at one end of the transept in the Chapel of St. Nicholas, where restoration is already concluded, are heavily compromised. A fresco by Giotto depicting the Madonna fainting at the cross has lost its light and shade contrasts and its colors are dulled.

Martini’s figures of saints appear flattened, while some details of the decor have been obliterated. The Virgin Mary at the center of the triptych in the Chapel of St. Nicholas has completely (and allegedly irreversibly) lost its top coat.

However, Sergio Fusetti, lead restorer at the Basilica of Saint Francis in Assisi, claims that the allegations reported in the Italian press are completely unfounded. “The problem doesn’t exist. We carry out regular checks and maintenance, taking off the hard dust that’s been deposited on the frescoes. We have never done anything without the authorization from the superintendency, which is the culture ministry in the territory,” he  said.

Fusetti has overseen the restoration work since 1997, when the basilica was hit during an earthquake. “I was the last restorer there after the earthquake. I risked my life,” he said.

At the end of an assiduous restoration process following the earthquake, art experts were afforded a moment of celebration in 2012 when Giotto’s signature was discovered on one of the frescoes.

https://news.artnet.com/art-world/appalling-restoration-destroys-giotto-frescoes-at-the-basilica-of-saint-francis-in-assisi-261811

For more details please visit here